Exhibitions

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Go Fish

Thursday, August 26th, 2010

Looking out the windows of the Warburg Mansion, it is clear to see the subtle signs of autumn’s impending return. Golden leaves peek from a handful of trees in Central Park; jeweled-toned mums have replaced the fiery red geraniums in the window boxes along Fifth Avenue; and whimsical displays of pencils, rulers and back-to-school clothes grace the windows of the local shops on Madison Avenue. At The Jewish Museum, staff are gearing up for our big fall shows—Shifting the Gaze: Painting and Feminism opens on September 12 and on October 29, Houdini: Art and Magic will be on view. In the meantime, The Jewish Museum offers a late summer amuse-bouche for the hungry visitor who eagerly awaits the return of the fall art season in New York City.

Fish Forms: Lamps by Frank Gehry presents 8 lamps by the internationally acclaimed architect Frank Gehry (b. 1929, Toronto, Canada). Known for his colorful and sculptural buildings, Gehry’s New York ventures include the IAC building in Chelsea, which peers over the Westside Highway with its undulating white exterior, and the newly erected Beekman Tower in Lower Manhattan. Inspired by The Jewish Museum’s own fish lamp, curator Ruth Beesch has organized an intimate exhibition in Offit Gallery. In this diverse selection of Gehry’s lamps, she illustrates the significance of fish form in his work. Click to continue »

The Art of Architecture: Candida Höfer and Frank Lloyd Wright’s Synagogue

Monday, May 24th, 2010

Updated July 2010: We’re pleased to announce that this photograph is a new acquisition to the Museum’s permanent collection.


Good relationships can be hard to find, but a relationship that has continually  proven to be rewarding is that of American synagogues and contemporary artists, architects, and designers.  An example of this successful collaboration is clearly visible in the current exhibition, Modern Art, Sacred Space: Motherwell, Ferber and Gottlieb, which features Abstract Expressionist art commissioned for a modern synagogue in 1951. In conjunction with the exhibition, The Jewish Museum has borrowed a related contemporary piece, a large-scale color photograph of Beth Sholom Synagogue in Elkins Park, Pennsylvania.  Opened in 1959, Beth Sholom was the only synagogue designed by Frank Lloyd Wright and the last project completed before his death. The photograph, on loan from Sonnabend Gallery in New York, is by German artist Candida Höfer.

Click to continue »

Building a Model of Percival Goodman’s Millburn, NJ Synagogue

Monday, March 1st, 2010

In preparation for Modern Art, Sacred Space: Motherwell, Ferber and Gottlieb we hired Pre_Post to develop a scale model of Percival Goodman’s Millburn, NJ synagogue to be included in the exhibition.

“We are creating 1/8″ scale model made from a combination of laser cut and hand finished bass wood. Working with scans of the original drawing set by Percival Goodman, we redrew the building on the computer, using the digital drawings for laser cutting and as the guide for the hand finished work,” explain the principals of Pre_Post.

“Throughout this process, we cross checked the drawings with archival photos and renderings in an effort to get a complete picture of the synagogue and its site. The scale model artworks were produced based on archival photos and the original pieces.”

Pre_Post is also producing to-scale artworks for the model based on archival photos and the original pieces.

Related Links:
Exhibition:
Modern Art, Sacred Space: Motherwell, Ferber and Gottlieb (Mar 14 – Aug 1, 2010)
Blog: Conserving Adolph Gottlieb’s Torah Ark Curtain (1/7/2010)
Restoring & Installing Motherwell’s The Wall of the Temple (2/17/2010)
Online Collection works by: Herbert Ferber / Adolph Gottlieb / Robert Motherwell
Flickr: More photos of the model, conservation and exhibition install

Restoring & Installing Motherwell’s The Wall of the Temple

Wednesday, February 17th, 2010

During nearly sixty years since Robert Motherwell’s installation of his mural The Wall of the Temple in the lobby of Congregation B’nai Israel synagogue in Millburn, NJ, it accumulated quite a bit of dust and grime. Conservator Dana Cranmer and her staff recently cleaned and restored the 1952 mural for its upcoming presentation in Modern Art, Sacred Space at The Jewish Museum. Now the original colors—bright oranges and blues and shades of brown and grey—give the mural renewed vibrancy and dynamism. Click to continue »

Closing Night: The New York Jewish Film Festival

Friday, February 12th, 2010

Closing night was thrilling. The New York Jewish Film Festival presented the NY Premiere of Marleen GorrisWithin The Whirlwind and the audience was tremendously moved by the film. The story of Jewish poet and professor Evgenia Ginzburg who lived a privileged life in Stalinist Russia—until faced with trumped-up charges of conspiracy. Stripped of her Communist Party membership and teaching post, Ginzburg served a ten-year sentence in a Siberian gulag, surviving through the kindness of her fellow inmates and the power of poetry. Based on Ginzburg’s memoirs, this epic from Oscar-winner Marleen Gorris (Antonia’s Line) features stunning performances by Emily Watson (Breaking the Waves) and Ulrich Tukur (The Lives of Others). Post-screening discussions with Ms. Gorris, screenwriter Nancy Larson, and producer Christine Ruppert were lively and interesting. Click to continue »

Tobaron Waxman is the winner of The Jewish Museum’s first-ever Audience Award

Friday, January 29th, 2010

The first transgendered artist to be exhibited in a major Jewish museum exhibition has won the Audience Award for the favorite work in the exhibition Reinventing Ritual: Contemporary Art and Design for Jewish Life.

Tobaron Waxman is the winner of The Jewish Museum’s first-ever Audience Award, selected from nearly sixty international artists. Votes were gathered from visitors to the exhibition in person and online, between September 13, 2009 and January 11, 2010. Waxman was selected for his provocative installation Opshernish, 2000/2009. The piece examines the construction of gender in Judaism by recreating and condensing a multi-part performance installation.

During the original performance at the School of the Art Institute of Chicago in 2000, Waxman sat on a stool for 5 hours, focused and silent, his waist-length hair twisted into locks, clamped with metal brackets and pulled tightly upwards to the ceiling with airplane cable in a typical white-walled art gallery. Click to continue »

“Ajami” in the running for Best Foreign Film by the Academy of Motion Picture Arts & Sciences

Tuesday, January 26th, 2010

Updated, February 2, 2010:
Ajami has been officially nominated  for a Best Foreign Language Film Oscar for the 82nd Academy Awards.
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The New York Jewish Film Festival has learned that Ajami, which screened twice to a sold-out crowd at the Walter Reade Theater earlier this month, has been shortlisted for best foreign film at the Oscars.

Co-directed by Palestinian filmmaker Scandar Copti and his Israeli collaborator Yaron Shani, Ajami presents a story about the complex relationship between Jews and Arabs in Israel and the Occupied Territories, a relationship that is often painful, but one that teaches a lesson. Click to continue »

A message from Adam Elliot, writer & director, “Mary and Max”.

Monday, January 25th, 2010

A message from Adam Elliot that was read out before the New York Jewish Film Festival 2010 screenings of Mary and Max:

“Hello Jewish Cinefiles and Lovers of Quality Plasticine Films!

My name is Adam Elliot and I am the writer and director of the film you are about to see, Mary and Max.  Sadly due to geographical and financial restraints, I cannot leave Australia and be with you tonight in New York. What you are about to see is a five year labour of love involving a crew of over one hundred and a budget that was miniscule and pathetic! Click to continue »

Mutual Understanding in ‘Gevald!’ and ‘Eyes Wide Open’

Saturday, January 23rd, 2010

Among the impressive line-up of films at this year’s New York Jewish Film Festival are two of many films that deal with pressing social issues. Both Gevald!, a documentary that delves into the lives of anti-Zionist Hassidic Jews, and Eyes Wide Open, a story about homosexuality within the ultra-Orthodox, raise questions and prompt needed discussion.

“Extremism exists in all religions,” says Rachel Chanoff, NYJFF committee member, about the film Gevald!. “When we think of the term ‘mutual understanding,’ we think of it on the warm and fuzzy end. There are ways of understanding each other from our not-so-pretty commonalities.”

Gevald! presents the lives of two of Israel’s most prominent ultra-Orthodox leaders, Shmuel Chaim Pappenheim, an anti-Zionist radical activist who organizes mass protests against the secular state, and the late Avraham Ravitz, a former IDF soldier and a longtime Knesset member who worked within the system to advance his constituency’s religious agenda. Click to continue »

“The Peretzniks” with Director Slawomir Grünberg

Thursday, January 21st, 2010

Documentary filmmaker  Slawomir Grünberg describes in an exclusive interview with the New York Jewish Film Festival what it was like to gather together alumni of the Jewish Peretz School who fled from Lodz,  Poland as a result of the 1968 anti-Semitic campaign.

NYJFF: What led you to the decision to produce The Peretzniks?

Grünberg: The events of March ‘68 are still somewhat obscure in Poland and remain relatively unknown or remembered outside of Poland. At the same time almost completely unknown to the outside world is the fact that there was Jewish life in Poland after the War. A quarter million Jews lived in Poland at its peak just after World War II and more then 30 thousand prior to 1968. There were Jewish schools, clubs, and theaters; there were Jewish summer camps and the Jewish family life. It was a proud society with a will not only to survive, but to flourish. Click to continue »