February, 2010

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Adapting Tours for Children with Autism

Monday, February 22nd, 2010

I recently received an email asking how our access tours for students with special needs differ from our general school tours–and more specifically, how our school programs are adapted for children on the autism spectrum.

This is a difficult question to answer without knowing more about the specific needs and abilities of each individual student in the class. Yet knowing little to nothing about each student’s disability is one of the most consistent challenges facing our access educators, a wonderful group of museum educators who are trained specifically to work with children who have developmental, learning and physical disabilities. Click to continue »

Restoring & Installing Motherwell’s The Wall of the Temple

Wednesday, February 17th, 2010

During nearly sixty years since Robert Motherwell’s installation of his mural The Wall of the Temple in the lobby of Congregation B’nai Israel synagogue in Millburn, NJ, it accumulated quite a bit of dust and grime. Conservator Dana Cranmer and her staff recently cleaned and restored the 1952 mural for its upcoming presentation in Modern Art, Sacred Space at The Jewish Museum. Now the original colors—bright oranges and blues and shades of brown and grey—give the mural renewed vibrancy and dynamism. Click to continue »

Access Programs: Materials & Techniques

Wednesday, February 17th, 2010

Within the museum world, collaboration is not a new concept. For years, museums have been joining forces to accomplish a range of goals including mounting exhibitions, purchasing works of art and coordinating programming. Cross-institutional partnerships allow for cost-sharing in the face of increasing acquisition and insurance rates, as well as the sharing of research, scholarship, and other resources.

Education departments of museums regularly collaborate with schools, libraries, or service organizations – and more and more, they are partnering with each other to tackle issues of marketing, space and programming to offer innovative programs to diverse audiences. The Education Department at The Jewish Museum had been contemplating the idea of offering art-making experiences to adults with disabilities for awhile before reaching out to MoMA’s CreateAbility program as both model and partner. Click to continue »

Closing Night: The New York Jewish Film Festival

Friday, February 12th, 2010

Closing night was thrilling. The New York Jewish Film Festival presented the NY Premiere of Marleen GorrisWithin The Whirlwind and the audience was tremendously moved by the film. The story of Jewish poet and professor Evgenia Ginzburg who lived a privileged life in Stalinist Russia—until faced with trumped-up charges of conspiracy. Stripped of her Communist Party membership and teaching post, Ginzburg served a ten-year sentence in a Siberian gulag, surviving through the kindness of her fellow inmates and the power of poetry. Based on Ginzburg’s memoirs, this epic from Oscar-winner Marleen Gorris (Antonia’s Line) features stunning performances by Emily Watson (Breaking the Waves) and Ulrich Tukur (The Lives of Others). Post-screening discussions with Ms. Gorris, screenwriter Nancy Larson, and producer Christine Ruppert were lively and interesting. Click to continue »

Adult Access Programs

Monday, February 8th, 2010

Access at The Jewish Museum is an aspect of my position here that has introduced me to various communities of visitors who are eager to come to this and other museums. They are audiences who are excited that our institutions are working to facilitate more enjoyable learning experiences for all visitors.

Gradually, we are making more and more of our museum experiences accessible to a range of people who in the past may not have been able to fully experience the Museum. For example, we recently published a tactile graphic book based on the Museum’s permanent collection which has been successfully integrated into our touch tours. Click to continue »

Accessibility at The Jewish Museum

Friday, February 5th, 2010

When I tell people that I develop access programs at The Jewish Museum, they often do not know exactly what to think. One architect friend recently asked if I work to ensure that the museum building complies with national design standards, such as providing wheelchair-accessible entrances and restrooms. Others have asked if I help create signage and guides for visitors who are blind and partially-sighted, or if I make art with seniors. The real question is: how am I making the museum accessible, and for whom? Click to continue »