Public Programs

...now browsing by tag

 
 

Hands-on

Monday, November 9th, 2009

Prayer shawls made from tyvek. Menorahs made from wire. The wonders of blessing and song. The Jewish Theological Seminary and The Jewish Museum have collaborated on a special day of hands-on Judaica-making, music, and conversation. A Day of Reinventing Ritual is this coming Sunday, November 15, from 9:30 am to 4pm. For more information and tickets, please visit the JTS website. Everyone is welcome, and children over the age of 7 are free.

Artists from Reinventing Ritual, including Rachel Kanter, Allan Wexler, Studio Armadillo, Tobi Kahn, and LoVid will lead hands-on workshops for the creation of new ritual objects. Scholar David Kraemer and Canter Sharon Brown-Levy will also lead workshops introducing the methods of blessings and chant. Vocalist Galeet Dardashti will perform excerpts from her ongoing reinterpretation of Jewish and Persian musical traditions. Anthropologist Vanessa Ochs will close the day offering insights into the dynamical influences of art and ritual today. The goal of the collaboration is to transmit the specialized and specific knowledge and skills of a diverse group of artists and scholars to the broader community, where the process of reinventing ritual truly lives and breathes.

I’m especially pleased that Studio Armadillo will be making the journey from Israel to lead a workshop on DIY kippa-making. Their sculpture in Reinventing Ritual, “Hevruta—Mituta” is a wonderful reinterpretation of the ritual of Jewish study. The artists compare a chess match to hevruta, pairs or small groups that debate the Torah and rabbinical responses to elicit deeper engagement with evidence and arguments. The thirty-two skullcaps, crocheted by girls during lessons in religious school, become playful emblems of women’s increasing access to traditional Orthodox education and ritual. A second example of this piece will be on view in a forthcoming exhibition of contemporary Israeli design in Judaica, opening at Beit Hatfutsot, Tel Aviv, in December. The artists combine 21st century 3D printing technology and ancient weaving traditions in a truly innovative work.

The Rite Stuff

Wednesday, October 14th, 2009

More than ever, design—and design-awareness—is influencing every aspect of our lives. Join designer Jonathan Adler and artist Allan Wexler in a wide-ranging discussion about the role of design in modern life in the panel discussion The Rite Stuff: Design and Modern Observance. The panel is next week, Thursday, October 22, 6:30 pm, and moderated by leading design critic Julie Lasky.

Click here for tickets, they are going fast.

This panel will consider how rites connected with birth, marriage, death, and seasonal celebrations have changed in light of contemporary attitudes toward community, family, and the environment. In what ways are we challenged to be both modern and traditional in the rituals we observe? What is design’s role in bringing these practices up to date?

Adler, who began his career as a potter using a wheel he purchased with Bar Mitzvah money, has been one of the country’s greatest popularizers of the mid-century modern aesthetic for a bright, punchy, geometrical sensibility for home décor. Adler’s whimsical ceramic pieces, from vases to figurines to menorahs, bring a playfulness and liberty to home design. That he was inspired in part by the bold modernist design of suburban Reform synagogues makes his practice highly unusual and ingenious.

Joining Adler is Allan Wexler, winner of the Leir Prize and a pioneering artist exploring the intersections of architecture and art. The panel is moderated by Julie Lasky, a brilliant design critic, author of an essay in the Reinventing Ritual catalogue, and the editor of the newly launched Change Observer website. Her insight into the new eco-consciousness in contemporary design, including Jewish ritual objects, is invaluable for us to understand where the community is going in the future. Finally, the curator Dorothy Twining Globus of the Museum of Arts and Design, New York, will offer her insights on the intersection of design and daily life.

DIY

Wednesday, September 23rd, 2009

Prayer is an essential part of the High Holidays. The artists LoVid through their diverse practice use language, song, music, video, and electronics to connect people. Their video garment Retzuot (ShinShinAgam), which is currently on view in Reinventing Ritual, brings these concepts of prayer and connection together into one beautiful and thought-provoking work. The artists have just posted video documentation of how to wrap and wear Retzuot, helping us to better understand how this piece functions as reinvented tefillin.

The following is LoVid’s statement about the work, as published in the exhibition catalogue:

Retzuot (ShinShinAgam) is inspired by the head
and arm pieces of tefillin. The straps of tefillin
reminded us of electronic conductive wires,
which we use in our media-based, audiovisual
work. In a similar way, tefillin straps conduct
and preserve information that is in the scrolls
and that has passed down through history.
In Retzuot (ShinShinAgam), the scrolls are represented
by circuit boards, which generate
continuous live video. The video image is a
minimal representation of the letter shin,
which in traditional tefillin appears on the
headpiece box.

This fall, LoVid will be leading two hands-on workshops about making Judaica with simple electronics. The first is for all ages during A Day of Reinventing Ritual at the Jewish Theological Seminary on November 15, and the second is a family workshop about creating electric menorahs at The Jewish Museum on December 13.