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Modern Art, Sacred Space: Motherwell, Ferber and Gottlieb

March 14, 2010 - August 1, 2010

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... a small but transcendent exhibition
The New York Times

After World War II, American Jewish populations began a mass movement from city to suburb. Without the close-knit neighborhoods of the city, the synagogue became a center not only for worship, but for education and socialization as well. Architect Percival Goodman envisioned this space as entirely modern—not based on historical building styles—with a pared-down aesthetic and, significantly, a close collaboration between architecture and contemporary art.

In a revolutionary move, Goodman charged three avant-garde artists with commissions to decorate his 1951 Congregation B’nai Israel synagogue in Millburn, New Jersey. Robert Motherwell, Adolph Gottlieb, and Herbert Ferber—each of whom went on to become a major figure in the Abstract Expressionist movement—created, respectively, a large-scale lobby mural, a velvet Torah curtain, and a monumental exterior sculptural relief.

Motherwell's written description of the mural identifies the Tablets of Moses, the Diaspora of the Twelve Tribes of Israel, and Jacob’s Ladder. The mural, one of the largest paintings of its time, is one of the few works in which the artist worked in a semi-representational manner; however, his abstraction of the objects is in keeping with the bold style that he established in the late 1940s and early 1950s. Gottlieb’s iconographic design for the Torah curtain, now in the collection of The Jewish Museum, is a late example in the development of his influential pictograph paintings of 1941–53. Ferber’s monumental exterior relief, entitled And the bush was not consumed, expresses a religious theme in an abstract three-dimensional form.

The exhibition marks the first time these works have been exhibited in a museum setting since they were created over sixty years ago. In addition to these major works, the exhibition will include studies, and photographs, as well as an architectural model of the Goodman-designed synagogue, to highlight the creative process of this ground-breaking collaboration.



Millburn Synagogue, Herbert Ferber

Gallery Installation

Blog
Building a Model of Percival Goodman’s Millburn, NJ Synagogue (3/1/2010)
Restoring & Installing Motherwell’s The Wall of the Temple (2/17/2010)
Conserving Adolph Gottlieb’s Torah Ark Curtain (1/7/2010)

Online Collection
Herbert Ferber
Adolph Gottlieb
Robert Motherwell

Reviews
Audacious Expressions on the Walls of the Temple, The New York Times (4/8/2010)
Abstraction in the Synagogue, The Wall Street Journal (4/15/2010)

Related Works on View
Works by Philip Johnson and Ibram Lassaw from the Kneses Tifereth Israel Synagogue, Port Chester, NY (1956)
Leslie Goldstein Gallery, 3rd floor

Photograph by Candida Höfer of the Frank Lloyd Wright designed Beth Shalom Synagogue, Elkins Park, PA (1959)
Dr. Allan H. and Tonya J. Warner Lobby, 3rd floor

Robert Motherwell (American, 1915-1991)
The Wall of the Temple, 1952
Oil on Masonite
96½ x 192½ (245.1 x 488.95)
Congregation B’nai Israel, Millburn, New Jersey
Art © Dedalus Foundation, Inc./Licensed by VAGA, New York, NY

Torah Ark Curtain
Adolph Gottlieb (American, 1903-1974)
Millburn, New Jersey, United States, 1950-51
Velvet: appliqué and embroidered with metallic thread
Upper section: 112 3/4 x 80 1/2 in. (286.4 x 204.5 cm)
Lower section: 121 3/4 x 81 1/2 in. (309.2 x 207 cm)
The Jewish Museum, New York
Gift of Congregation B'nai Israel, Millburn, New Jersey, 1987-23a,b
Art © Adolph and Esther Gottlieb Foundation/Licensed by VAGA, New York, NY

Herbert Ferber (American, 1906-1999)
And the bush was not consumed, 1951
Lead-coated copper
148 x 88 x 27 in. (375.9 x 223.5 x 68.6 cm)
Congregation B’nai Israel, Millburn, New Jersey

Synagogue
Congregation B’nai Israel, Millburn, New Jersey
Percival Goodman, Architect


The exhibition was made possible by major grants from the Dedalus Foundation and Edith Ferber.